Who I work(ed) with…
I provide a broad spectrum of services, individually customized to suit your unique requirements. Through my trusted network of designers, developers, artists, curators, media and event production professionals, I assemble the right team for each project ensuring creative, technical, and organizational excellence from concept to completion, in line with international standards of collaboration and cultural impact.
For example you are a…
Foreign Cooperation / International Organization
Scenario:
A multinational company or development agency sends staff to Trinidad and Tobago for long-term assignments and wants to ensure cultural sensitivity and respectful engagement.
How I help:
I design and facilitate cultural onboarding workshops that prepare international professionals for life and work in the Caribbean context — from everyday communication and social etiquette to understanding cultural history and community dynamics. Participants learn not only how to behave respectfully, but also how to build genuine connections across cultures.
Diplomatic Mission / Embassy
Scenario:
An embassy or cultural institute wants to organize a programme highlighting Caribbean–African relations, heritage, and intercultural dialogue.
How I help:
I curate events, exhibitions, and conversations that bring diplomacy to life through culture. By combining artistic exchange, storytelling, and authentic community participation, I help diplomatic missions create experiences that foster mutual understanding and lasting connection.
Government Institution / Ministry
Scenario:
A ministry or state agency plans to launch a national initiative around cultural equity, heritage, or community development and needs support to connect policy with lived experience.
How I help:
I design and facilitate workshops, consultations, and creative advocacy programmes that make cultural policy tangible for citizens. Through storytelling, collaboration, and participatory dialogue, I help transform institutional goals into meaningful public engagement and measurable social impact.
Film Production Company
Scenario:
A film or documentary team wants to ensure their project reflects authentic Caribbean narratives and historical accuracy.
How I help:
I provide in-depth cultural research, script consultation, and production support that root stories in real context and community. From early concept to post-production, I help filmmakers navigate cultural nuance, language, and symbolism to create more grounded, powerful storytelling.
University / Educational Institution
Scenario:
A university or cultural studies department is seeking to expand its curriculum with lectures, workshops, or collaborations that explore Caribbean heritage, performance traditions, and decolonial thought.
How I help:
I design and deliver lectures, masterclasses, and interdisciplinary modules that merge academic research with creative practice. My approach connects students with living traditions, community knowledge, and embodied learning — offering a richer understanding of culture as both theory and lived experience. I also collaborate with faculty on cultural projects, symposia, and exchange programmes that bridge the gap between academia and the public.
Publishing / Media House
Scenario:
A publishing house develops a new edition or anthology exploring voices from the Caribbean diaspora and needs editorial and cultural insight.
How I help:
I contribute essays, cultural research, and curatorial editing that contextualize and connect stories across generations. My work helps publishers bridge academic, artistic, and community perspectives — amplifying authenticity and emotional depth in their publications.
Record Label / Music Archive
Scenario:
A label or archive wants to reissue, document, or reinterpret Caribbean musical heritage while reaching new audiences.
How I help:
I conduct archival research, write liner notes, and develop storytelling strategies that highlight both artistic legacy and contemporary relevance. Whether for digital releases, documentaries, or exhibitions, I help frame music as cultural testimony and creative resistance.
Creative Professional / Advertising Company
Scenario:
An agency or collective wants to integrate authentic Caribbean narratives into a campaign or creative concept.
How I help:
I bring creative direction, cultural depth, and ethical insight to the process. Drawing from lived experience and academic research, I ensure that projects are not only visually striking but also rooted in respect, representation, and community voice.
Travel Company / Hospitality Professional
(Travel Companies, Cruise Lines, Tour Operators, Tourism Consultants)
Scenario:
When cruise ships dock in Trinidad, passengers often experience standardized, surface-level tours that miss the depth and vibrancy of local culture. I collaborate with tourism partners to design cultural immersion experiences that reveal the true heartbeat of the islands – through performance, storytelling, and community connection.
How I help:
I create heritage-based experiences that move beyond sightseeing. Whether it’s curating cultural excursions, hosting sensitivity briefings, or producing on-site performances, I help travel and hospitality partners offer visitors meaningful encounters that foster understanding, respect, and lasting memories – while supporting local creative economies.
…or anybody else, please get in touch!
Selected Clients
- 96.1 Radio
- Ayiti Rezarek
- Bear Family Records
- British Broadcasting Corporation (BBC)
- Black Feminist Forum
- Bocas Lit Fest
- British Museum
- Brooklyn Caribbean Literary Festival
- Caribbean Studies Association
- Cree Records
- East Port of Spain Development Company
- Emancipation Support Committee
- European Union (EU)
- Gayelle
- German Embassy Port of Spain
- Governor of Osun State, Nigeria
- Green Party of Iceland
- Guardian Media Ltd
- Hayward Gallery, London
- International Peace Research Association
- Kalinda Collective
- Lost Tribe
- Liverpool Museum
- Mark Loquan
- M.Bassy, Hamburg, Germany
- Ministry of Culture & the Arts
- Ministry of Foreign and CARICOM Affairs
- Mixcloud
- Museum of London
- National Carnival Commission (NCC)
- National Gas Company T&T (NGC)
- Republic Bank
- Soundway Records
- Stephen Friedman Gallery, London
- TEDx Port of Spain
- The Cloth
- The Judiciary of Trinidad and Tobago
- Trinidad & Tobago Television (TTT)
- United Nations
- UNHCR
- UNESCO
- United Maroons Indigenous Peoples
- University of Trinidad and Tobago
- University of the West Indies
- Victoria Miro Gallery, London
Projects & Publications
Foreign Cooperation / International Organization
Scenario:
A multinational company or development agency sends staff to Trinidad and Tobago for long-term assignments and wants to ensure cultural sensitivity and respectful engagement.
How I help:
I design and facilitate cultural onboarding workshops that prepare international professionals for life and work in the Caribbean context — from everyday communication and social etiquette to understanding cultural history and community dynamics. Participants learn not only how to behave respectfully, but also how to build genuine connections across cultures.
Film Production Company
Scenario:
A film or documentary team wants to ensure their project reflects authentic Caribbean narratives and historical accuracy.
How I help:
I provide in-depth cultural research, script consultation, and production support that root stories in real context and community. From early concept to post-production, I help filmmakers navigate cultural nuance, language, and symbolism to create more grounded, powerful storytelling.
Record Label / Music Archive
Scenario:
A label or archive wants to reissue, document, or reinterpret Caribbean musical heritage while reaching new audiences.
How I help:
I conduct archival research, write liner notes, and develop storytelling strategies that highlight both artistic legacy and contemporary relevance. Whether for digital releases, documentaries, or exhibitions, I help frame music as cultural testimony and creative resistance.
Diplomatic Mission / Embassy
Scenario:
An embassy or cultural institute wants to organize a programme highlighting Caribbean–African relations, heritage, and intercultural dialogue.
How I help:
I curate events, exhibitions, and conversations that bring diplomacy to life through culture. By combining artistic exchange, storytelling, and authentic community participation, I help diplomatic missions create experiences that foster mutual understanding and lasting connection.
Universities / Educational Institutions
Scenario:
A university or cultural studies department is seeking to expand its curriculum with lectures, workshops, or collaborations that explore Caribbean heritage, performance traditions, and decolonial thought.
How I help:
I design and deliver lectures, masterclasses, and interdisciplinary modules that merge academic research with creative practice. My approach connects students with living traditions, community knowledge, and embodied learning — offering a richer understanding of culture as both theory and lived experience. I also collaborate with faculty on cultural projects, symposia, and exchange programmes that bridge the gap between academia and the public.
Creative Sector / Advertising Company
Scenario:
An agency or collective wants to integrate authentic Caribbean narratives into a campaign or creative concept.
How I help:
I bring creative direction, cultural depth, and ethical insight to the process. Drawing from lived experience and academic research, I ensure that projects are not only visually striking but also rooted in respect, representation, and community voice.
Government Institution / Ministry
Scenario:
A ministry or state agency plans to launch a national initiative around cultural equity, heritage, or community development and needs support to connect policy with lived experience.
How I help:
I design and facilitate workshops, consultations, and creative advocacy programmes that make cultural policy tangible for citizens. Through storytelling, collaboration, and participatory dialogue, I help transform institutional goals into meaningful public engagement and measurable social impact.
Publishing House
Scenario:
A publishing house develops a new edition or anthology exploring voices from the Caribbean diaspora and needs editorial and cultural insight.
How I help:
I contribute essays, cultural research, and curatorial editing that contextualize and connect stories across generations. My work helps publishers bridge academic, artistic, and community perspectives — amplifying authenticity and emotional depth in their publications.